Top 10 Albums of 2013

MIA - MATANGI10. Matangi – M.I.A.

Bangers, bangers, and more bangers. M.I.A.’s Matangi is unrelentingly frenetic, even for her. While the album focuses heavily on extravagance, she remains the only artist who can spit about xenophobia, feminism, refugees, and the exodus, and still weave it together to sound like a nonstop party.

Said the Whale - Hawaii9. Hawaiii – Said the Whale

In Hawaiii, Said the Whale creates a veritable musical grab bag. “More Than This” relies on little more than some piano chords and vocal harmonizing. “I Love You” sounds like a modern reimagining of “My Sharona.” “Resolutions” ends with a rapped outro (for some reason). Through it all, Said the Whale maintains its defining indie pop sweetness. Instead of feeling like a scattered mess, Said the Whale manages to be a rare specimen – a pop-friendly indie rock band that’s unafraid to take some wild swings for the hell of it.

Swearin' - Surfing Strange8. Surfing Strange – Swearin’

Surfing Strange is the best ’90s underground rock album of 2013. It’s a shame Swearin’ wasn’t around to open for Pavement at some NorCal dive back in the day. Allison Crutchfield and Kyle Gilbride swap lead vocal duties and lines of disenchantment over a bed of distorted dissonance without losing a sense of melodicism. It’s ugly and snarling in all the right ways.

Tancred - S/T7. S/T – Tancred

S/T isn’t just another album for Tancred – it’s a complete reinvention. While Jess Abbott’s first Tancred album, Capes, was pure hushed and minimal (to the point of being tiny) indie song craft, S/T is a lively pop rock record flush with exuberance. Songs like “The Ring” and “Indiana” surge with catchy energy and lyrics of soured relationships. Musical quantum leaps aren’t supposed to sound this smooth, effortless, and natural.

Wimps - Repeat6. Repeat – Wimps

Repeat is the adult-made, kick ass version of every awful adolescent punk album. You know the ones… when ragtag groups of misfits first pick up instruments and try to play, but the only material they have to write songs about is the relative trivialities of their day-to-day existence: Sleeping in, hating school, pizza, and staying forever young and vital. Wimps takes that formula, adds sharper musical skills, and applies it to adult parallels: Naps, hating work, the importance of not eating expired food, and growing old and getting boring. Thankfully, Rachel Ratner’s bratty singing and lyrics dripping with sarcastic wit prove that Repeat isn’t fully grown up.

Mansions Doom Loop5. Doom Loop – Mansions

From the opening aural bombardment of “Climbers,” Doom Loop unleashes a steady stream of fuzzy bass, overdriven guitar, and seething fury. Christopher Browder’s lyrics about unraveling relationships and communication breakdowns perfectly suit his voice, which can go from conveying withheld emotions to sonic fits of angst at the proverbial flip of a switch. While there are plenty of things Browder can bemoan, the quality of Doom Loop is certainly not one of them.

The Thermals - Desperate Ground4. Desperate Ground – The Thermals

After releasing 2010’s Personal Life, its kindest and most polished record, The Thermals got brutal and raw on Desperate Ground. The album is somewhat of a throwback – mixing the aggression and venom of The Body, the Blood, the Machine with the unhinged punk instrumental edge of More Parts Per Million. Hutch Harris lyrically hacks and slices his way through song after song about vicious killing (divinely ordained or otherwise) and bellows each of his impassioned creeds to the heavens.

Colleen Green - Sock It to Me3. Sock It to Me – Colleen Green

Colleen Green is bored and enamored. On Sock It to Me, she delivers bursts of sunny, smitten lo-fi rock with a blissfully stoned detachment. With little more than some bar chords and a drum machine, Green creates unbelievably catchy, upbeat ditties (“Only One,” “Number One,” etc.) and a couple deliciously dark, brooding tunes (“Sock It to Me” and “Close to You”). It’s daydream music for the smitten souls of summer.

Waxahatchee - Cerulean Salt2. Cerulean Salt – Waxahatchee

Fragility does not beget weakness. Waxahatchee’s Cerulean Salt showcases delicate strength at its most emotionally cutting. There’s a sense of Southern sorrow at the root of many of Katie Crutchfield stripped down tunes, but she never feels crushed under their weight; instead opting for a steadfast resilience. She’ll find a way to leave gracefully… or she’ll escape.

Lorde - Pure Heroine1. Pure Heroine – Lorde

There’s a deep-seeded sense of isolation that permeates Lorde’s sterling debut LP Pure Heroine. The roots of the seclusion are multifaceted: Growing up in a remote locale (New Zealand), general teenage angst (being an actual teenager), and an element of musical separation. But Lorde’s outsider mentality pushes the pop paradigm forward. With layered snaps, claps, and her deep, dramatic voice, Lorde forges a new brand of minimalist electronic pop that, compared to the rest of the radio-friendly landscape, sounds jarringly sparse. And yet each of Pure Heroine’s isolationist anthems shines more than any of the overproduced status quo. As she defiantly proclaims on the album’s finale, “Let ‘em talk cause we’re dancing in this world alone.”

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